“To quote out of context is the essence of the photographer’s craft.”
(John Szarkowski)
The Mute Testimony is a growing archive of quotations that attempt to describe the medium of photography, the camera, and the function of individual photographs. Drawn from a range of literary, theoretical, and art-historical sources, the archive is then recontextualized through different modes of presentation and in combination with various image repositories. For this iteration, the site uses the Art Institute of Chicago’s public API to randomly pair text excerpts with works from the museum’s collection that are classified under “photograph,” generating a virtually endless number of ways in which to interpret both the content of specific pictures and the shifting perceptions of the medium itself.
Archiving: Alan Huck
Web Design: Jonas Feige
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1an elusive opening(John Tagg)
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2the space of a single minute(William Henry Fox Talbot)
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3the negation of chronology(Geoff Dyer)
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4a force of interruption(Eduardo Cadava)
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5the site of a gap, a sublime breach between the sensible and the intelligible, between copy and reality, between a memory and a hope(Giorgio Agamben)
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6a plagiarism of nature(Alphonse de Lamartine)
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7instantaneous and occult(Michel Tournier)
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8akin to medieval thinking(Etel Adnan)
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9a prophecy of the glorious body(Giorgio Agamben)
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10some marvel of a fairy tale or delusion of necromancy
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11an impressionable material that welcomes spirits(Hervé Guibert)
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12a secret about a secret(Diane Arbus)
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13like images in the memory of a total stranger(John Berger)
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14a message without a code(Roland Barthes)
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15a free and familiar coinage of meaning(Victor Burgin)
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16a language that names what it describes(Tod Papageorge)
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17a language that is guided and interrupted by the desire for the very thing that, always lost, and never comprehended, remains to be mourned(Eduardo Cadava)
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18a consoling object(Thierry de Duve)
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19an act of love(Hervé Guibert)
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20a rubbing or rubbing away of the body(Jean-Luc Nancy)
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21a sort of personal anthropology(Luigi Ghirri)
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22a memento from a life being lived(John Berger)
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23like flies in amber(Peter Wollen)
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24like a footprint or a death mask(Susan Sontag)
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25a logical extension of the pressed flower(Susan Stewart)
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26a graft off of natural space(Thierry de Duve)
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27a true ghost(Yukio Mishima)
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28a sort of ecstatic membrane that has come away from the real object(Lynne Tillman)
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29an incomparable revelation(Pierre Mac Orlan)
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30an hallucination that is also a fact(André Bazin)
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31a bit of natural magic that an inquisitive and restless society had stumbled upon(Robin Kelsey)
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32a medium born whole(John Szarkowski)
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33the golden key opening the doors to the wonders of the external universe(László Moholy-Nagy)
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34a strange invention—with unforeseeable consequences(John Berger)
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35that great distorter of things as they are(Walker Evans)
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36a species of alchemy(Susan Sontag)
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37a passive accomplice to our own story-telling(Pavel Büchler)
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38a device for accumulating energy(Hollis Frampton)
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39the conduit for the umbilical cord of light(Shawn Michelle Smith)
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40a solar phenomenon in which the artist collaborates with the sun(Alphonse de Lamartine)
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41an infallibly retentive super-retina(Hollis Frampton)
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42the new, rapid, concrete reflector of the world(Alexander Rodchenko)
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43the recorder of bald, prosaic fact(Henry Peach Robinson)
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44the great, the incredible instrument of symbolic actuality(Walker Evans)
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45the central instrument of our time(James Agee)
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46our measure of the world(Dubravka Ugrešić)
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47reality gnawed at by the real(Henri Van Lier)
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48the tomb of the real(John Tagg)
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49a kind of deposit of the real itself(Rosalind E. Krauss)
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50the absolute Particular, the sovereign contingency(Roland Barthes)
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51the simultaneous recognition, in a fraction of a second, of the significance of an event(Henri Cartier-Bresson)
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52simply a crude statement of fact addressed to the eye(Virginia Woolf)
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53an everyday strategy of affirmation(Tina M. Campt)
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54a concrete kind of fiction(John Szarkowski)
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55a true interpretation(Margaret Bourke-White)
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56a certificate of presence(Roland Barthes)
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57a scientific performance(Henry Peach Robinson)
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58a devilish device designed to capture life but unable to convey it(Thierry de Duve)
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59a building block in a larger structure(Abigail Solomon-Godeau)
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60a universe of dots(Don DeLillo)
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61a self-contained little universe inexhaustible to scrutiny(Charles Simic)
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62the site where the collaboration coughs up its secret(Ariella Aïsha Azoulay)
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63bitter, pungent, sweet, sour, and salty droplets mechanically extracted from a more fluid existence(James Elkins)
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64a disposition of sensible matter(James Joyce)
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65like a quotation, or a maxim or proverb(Susan Sontag)
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66less an answer than a reflection of the questions(Mary Price)
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67an immobile and silent surface(Vilém Flusser)
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68the mirror with a memory(Oliver Wendell Holmes Sr.)
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69the prophecy of a human memory yet to be socially and politically achieved(John Berger)
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70an element of a new and homogenous terrain of consumption and circulation in which the observer becomes lodged(Jonathan Crary)
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71a perishable commodity(Clive Scott)
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72a disreputable thing, like theft(Seiichi Furuya)
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73one means for the deterritorialization of national boundaries(Ariella Aïsha Azoulay)
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74a peculiarly intent form of secrecy(Adam Phillips)
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75a rumor, a kind of pornography of art(Carl Andre)
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76the most irresistible form of mental pollution(Susan Sontag)
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77a diabolical manifestation of the modern(Enrique Vila-Matas)
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78a positive and irrevocable chaotizing of the Cosmos(François Laruelle)
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79a kind of passport that annihilates moral boundaries and social inhibitions(Susan Sontag)
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80a vulgar addiction that is gradually taking hold of the whole of humanity(Thomas Bernhard)
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81an equivalent of the emergency, the crisis, single and simplified(Clive Scott)
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82the greatest disaster of the twentieth century(Thomas Bernhard)
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83a shock from which we have not yet recovered(Mitchell Stephens)
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84the name of the destruction of any consciousness of identity(Eduardo Cadava)
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85vastly pregnant with the imminence of a revelation that never quite transpires(Hollis Frampton)
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86the product of complete alienation(Siegfried Kracauer)
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87a form of lunacy(Charles Baudelaire)
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88a concession made to the World(François Laruelle)
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89a future perfect being endlessly ripped apart(Alix Cléo Roubaud)
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90a jumble that consists partly of garbage(Siegfried Kracauer)
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91a pile of fragments of private images, against the creased background of massacres and coronations(Italo Calvino)
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92a society in miniature(Robert Hariman and John Louis Lucaites)
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93fragile and slippery carriers of meaning(Gerry Badger)
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94loose leaves which can be passed from hand to hand(Vilém Flusser)
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95signs, half-truths, cripples, fictions that live only by moments and know only the surface of things(Tod Papageorge)
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96inadequate and overwhelming thing, impossible testimony(John Tagg)
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97a silent rectangle of paper(Christian Metz)
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98just a picture(Tod Papageorge)
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99an utterance of some sort(Allan Sekula)